Bench
The long bench, distinguished by its iconic inverted V-shaped legs, was originally designed for MLA hostels. Its seat is thoughtfully divided into three equal sections, each meticulously hand-woven with cane in the traditional style. Remarkably, though part of a unified bench, each section is treated as an individual unit during the weaving process, 116 reflecting an extraordinary level of craftsmanship.
The design of the legs closely mirrors that of the Chandigarh dining chair, with a refined interplay of details. The outer edges feature a subtle half-round profile, adding a touch of softness, while the inner edges contrast with sharp, geometric precision. This harmonious balance of forms lends the bench an understated elegance.
Celebrated for its versatility, the bench quickly gained popularity far beyond its original purpose. From hotel rooms to exhibition spaces, its adaptability has made it a staple in diverse settings. Its simple, minimalistic form embodies the essence of mid-century modern design, capturing a timeless aesthetic that remains as relevant today as when it was first conceived.
Dimensions: 1326mm x 450mm x 420mm
Material: Indian rosewood and rattan
Finish: Tung oil (food grade safe oil)
craftsmanship
The elegantly simple geometry of this chair, with its iconic inverted V-shaped legs that converge at the seat, bears a striking resemblance to Pierre Jeanneret’s celebrated ‘92 Scissor Chairs,’ designed for Knoll in 1948. This subtle nod to mid-century modern design is enriched with thoughtful details that elevate its elegance and functionality. A distinctive feature of this dining chair, present in most original pieces, is the chamfered edge beneath the seat.
